ویژه‌نامه « سینمای مستقل ایران از نگاه منتقدان فیپرشی » که مهر ماه امسال (۱۴۰۲) منتشر شده است، با اتخاذ ابتکاری پیشگامانه که هدف آن تمرکز بر ماهیت، چیستی و جایگاه سینمای مستقل ایران، به دو زبان فارسی و انگلیسی تهیه شده است. در این مجموعه که گردآوری آن دو سال به طول انجامیده و در نوع خود بیسابقه و منحصر به فرد است، حامد سلیمان‌زاده، منتقد بین‌المللی فیلم، با یازده منتقد از سراسر جهان گفت‌وگو کرده است.
این گفتوگوهای جذاب حاوی مطالبی عمیق راجع به فرهنگ و تمدن ایران، سینما و هنرهای مجاور آن و نهایتا تبیین جایگاه و ویژگیهای سینمای مستقل ایران است.
این مجموعه فرصتی برای مخاطبان سینماست تا بیشتر با غنای سینمای مستقل ایران از دیدگاه منتقدانی غیر ایرانی آشنا شوند.
Abbas Kiarostami for all the years of his career and for all the films he made and didn’t make... [ادامه]
In 1992, Dimitri Eipides, a well-known film critic, presented all Abbas Kiarostami's films, such as The Bread and Alley, The Chorus and many others, as well as Alireza Davoudnejad's The Need at Thessaloniki Film Festival. It was an extremely surprising experience for me... [ادامه]
My first encounter with Iranian cinema was watching the movie The Song of the Sparrows directed by Majid Majidi, which was screened in our chain of art cinemas under the title Cinema Noveau... [ادامه]
I was in love with movies before becoming a critic and lecturer. I watched a lot of foreign films, and among them, I came across Majid Majidi’s The Color of Paradise. I was so impressed by the narrative, story, cinematography, and realistic performances of the cast. I was... [ادامه]
my first serious encounter with Iranian cinema was when one of my Tunisian friends, who happened to be a film critic too, gave me Asghar Farhadi’s A Separation to watch at home. I was literally mesmerized by the story, mise en scène and performances... [ادامه]
I’ve been a professional architect and civil engineer for almost 45 years, and Iranian architecture is part of my career. I’ve always been into all kinds of art, and I have a deep respect for Iranian art. I know Iranian scientists and philosophers such as Abu Nasr Muhammad al-Farabi and Ibn Sina. I also know many poets from Iran such as Rumi, Hafez, Saadi Shirazi, Ferdowsi, Nizami Ganjavi, and Omar Khayyam... [ادامه]
I think, as long as Asghar Farhadi is making movies, Iranian cinema is at the top. However, I believe that the cinemas of Japan, Iran, and China represent the three best cinemas in Asia... [ادامه]
I know that Iran has a much enriched cultural background. I studied about Iran and its monarchy during my school days. Iran is a Middle Eastern country that has always amazed the Western world with its wealth and art... [ادامه]
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(۱۳)
